Society for Seventeenth-Century Music - Dedicated to the study and performance of 17th-Century music.

Society for Seventeenth-Century Music

Carol G. Marsh – Selected Bibliography

Books and editions

L’Abbé, Anthony. A New Collection of Dances, facsimile ed. with introduction. Music for London Entertainment, Series D. London: Stainer and Bell, 1991.

(with Meredith Ellis Little). La Danse Noble: An Inventory of Dances and Sources. Williamstown, MA: Broude Brothers, 1992.

(with Rebecca Harris-Warrick). Musical Theater at the Court of Louis XIV: Le Mariage de la Grosse Cathos. Cambridge, Cambridge University Press, 1994.

(with Marita Petzoldt McClymonds, Patrick Michael Keady, eds.). Ballet Music from the Mannheim Court. IV: Christian Cannabich. Recent Researches in Music of the Classic Era, vol. 57. Middleton, WI: A-R Editions, 1999.

Articles

“Fishing for Basses: Finding Musical Concordances for English Country Dances.” Proceedings of the Society of Dance History Scholars 6 (1985): 95-104.

(with Rebecca Harris-Warrick). “A New Source for Seventeenth-Century Ballet: Le Mariage de la Grosse Cathos,” Dance Chronicle 11 (1988): 398-428.

“French Theatrical Dance in the Late Eighteenth Century: Gypsies, Cloggers, and Drunken soldiers.” Proceedings of the Society of Dance History Scholars 18 (1995): 91-98.

“Tanz und Inszenierungen in der französischen Barockoper am Beispiel von Le Mariage de la Grosse Cathos” In Tanz und Bewegung in der barocken Oper, 1-17. Vienna: Studien-Verlag, 1996.

(with Rebecca Harris-Warrick). “The French Connection.” In The Grotesque Dancer on the Eighteenth-Century Stage: Gennaro Magri and His World, ed. Rebecca Harris-Warrick and Bruce Alan Brown, 173-198. Madison: University of Wisconsin Press, 2005.

(with Rebecca Harris-Warrick). “Putting Together a Pantomime Ballet.” In The Grotesque Dancer on the Eighteenth-Century Stage: Gennaro Magri and His World, ed. Rebecca Harris-Warrick and Bruce Alan Brown, 231-278. Madison: University of Wisconsin Press, 2005.

“Comparison of the two manuscripts.” In Dances for the Sun King: André Lorin’s Livre de contredance, ed. Julia Sutton and Rachelle Palnick Tsachor, 20-22. Annapolis: Colonial Music Institute, 2008.

“English Country Dance in the Seventeenth Century.” In Dances for the Sun King: André Lorin’s Livre de contredance, ed. Julia Sutton and Rachelle Palnick Tsachor, 46-49. Annapolis: Colonial Music Institute, 2008.

“History and Significance of Lorin’s Notation.” In Dances for the Sun King: André Lorin’s Livre de contredance, ed. Julia Sutton and Rachelle Palnick Tsachor, 50-56. Annapolis: Colonial Music Institute, 2008.

“The Steps Used by Lorin: Signs and Meaning.” In Dances for the Sun King: André Lorin’s Livre de contredance, ed. Julia Sutton and Rachelle Palnick Tsachor, 121-129. Annapolis: Colonial Music Institute, 2008.

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