Society for Seventeenth-Century Music - Dedicated to the study and performance of 17th-Century music.

Society for Seventeenth-Century Music

Jeffrey Kurtzman – Selected Bibliography

Catalogue

A Catalogue of Mass, Office and Holy Week Music Published in Italy, 1516-1770, together with Anne Schnoebelen.  Journal of Seventeenth-Century Music Instrumenta, vol. 2http://sscm-jscm.org/instrumenta/instrumenta-volumes/instrumenta-volume-2/

Books authored & volumes of JSCM edited

Selected Papers of the Frankfurt Monteverdi Conference (2009), special issue of the Journal of Seventeenth-Century Music 18 (2016)

Studies in Sixteenth- and Seventeenth-Century Italian Sacred Music.  Ashgate Publishing, 2014.

Approaches to Monteverdi: Aesthetic, Psychological, Analytical and Historical Studies.  Ashgate Publishing, 2013.

The Monteverdi Vespers of 1610: Music, Context, Performance.  Oxford: Oxford University Press, 1999.

The Patronage of Sacred Music in Seventeenth-Century Italy, special issue of the Journal of Seventeenth-Century Music 6/1 (2001).

Essays on the Monteverdi Mass and Vespers of 1610. Houston: Rice University Studies, 1978.

Critical/Performing Editions

General Editor, Alessandro Grandi: Opera Omnia, 20 vols. American Institute of Musicology. Vol. 1, 2011, ed. Steven Saunders and Dennis Collins; vol. 5, 2015, ed. Robert Kendrick and Dennis Collins.

General Editor, An Anthology of Seventeenth-Century Instrumental Music. Web Library of Seventeenth-Century Music. Scores ed. Niels Martin-Jensen, 2015-

Seventeenth-Century Italian Music for Vespers and Compline, 10 vols. Garland Publishing, Inc, 1995-2003.

Claudio Monteverdi: Vespers of 1610, Oxford: Oxford University Press, 1999.

Claudio Monteverdi: Missa in illo tempore. Stuttgart: Carus-Verlag, 1994.

Claudio Monteverdi: Mass in F. Stuttgart: Carus-Verlag, 1992.

Claudio Monteverdi: Gloria a 7. Stuttgart: Carus-Verlag, 1992.

Articles and Book Chapters

“Monteverdi’s Mass and Vespers of 1610: the Social and Economic Context,” Selected Papers from the Frankfurt Monteverdi Conference (May 2009), Journal of Seventeenth-Century Music 18 (2016).

“Collected Works of Claudio Monteverdi: the Malipiero and Cremona Editions,” in Musik-Editionen als Spiegel der Editionsgeschichte.  Tübingen: Max Niemeyer Verlag, 2015, 69-96.

“Vocal Ranges, Cleffing and Transposition in the Sacred Music of Giulio Belli,” in Barocco Padano e Musici Francescani: L’Apporto dei maestri conventuali: Proceedings of the XVI Convegno internazionale sul barocco padano (secoli XVII-XVIII).  Padova: Centro Studi Antoniani, 2014, 141-64.

“The Effect on Italian Liturgical Music of the Council of Trent (1562), the Breviarium
Romanum (1568), and the Caeremoniale  Episcoporum (1600),” in Studies in Sixteenth- and
Seventeenth-Century Italian Sacred Music.  Ashgate Publishing, 2014.

“Polyphonic Psalm Structures in Seventeenth-Century Italian Office Music,”in Psalmen: Kirchenmusk zwischen Tradition, Dramatik und Experiment.  Köln, Weimar, Wien: Böhlau Verlag, 2014, 119-87.

“Musiche per l’Ufficio nelle edizione italiane a stampa (1542-1735), in Da Napoli a Napoli: Musica e musicologia senza confine.  Lucca: Libreria musicale italiana, 2014, 27-46.

“The Performance of Eight-Voice and Polychoral Psalmody with Instruments in Italy and its Role in the Development of the Concertato Style in the Sixteenth and Early Seventeenth Centuries,” in ‘Hands-On” Musicology: Essays in Honor of Jeffery Kite-Powell.  Ann Arbor: Steglein Publishing, 2012, 169-211.

“Polyphonic Psalm and Canticle Antiphons for Vespers, Compline and Lauds Published in Italy in the Sixteenth and Seventeenth Centuries,” in  Barocco Padano 7: Atti del XV Convegno internazionale sulla musica italiana nel secoli XVII-XVIII.  Como: A.M.I.S., 2012, 581-644.

“The Psychic Disintegration of a Demi-God: The Expression of the Conscious and the Unconscious in Alessandro Striggio’s and Claudio Monteverdi’s L’Orfeo,” in Consciousness and Music.  Oxford: Oxford University Press, 2011, 343-74.

“Printed Italian Music for Matins and Lauds throughout the Year and other Services in Holy Week, 1544-1725,” in Barocco Padano 6: Atti del XIV Convegno internazionale sulla musica italiana nel secoli XVII-XVIII.  Como: A.M.I.S., 2010 [2011], 347-408.

“Monteverdi’s Missing Sacred Music: Evidence and Conjectures,” in The Musicologist and Source Documentary Evidence: A Book of Essays in Honour of Professor Piotr Pozniak on his 70th Birthday, ed. Zofia Fabianska, Jakub Kubieniec, Andrzej Sitarz, Piotr Wilk.  Karków: Musica Iagellonica, 2009, 187-208.

“Monteverdi’s Mass of Thanksgiving: Da Capo,” in Fiori Musicali: Liber Amicorum Alexander Silbiger.  Ann Arbor: Harmonie Park Press, 2009, 95-128.

“A Monteverdi Vespers in 1611,” Early Music 36 (November 2008), 1-9.  With Licia Mari.

“The Iagoization of Otello: A Study in Verdi’s Musical Translation of Shakespeare’s Linguistic Dramaturgy,” in Sonic Transformations of Literary Works.  Stuyvesant, NY: Pendragon Press, 2008, 69-101.

“Hymns Published in Italy, 1542-1715,” in Barocco Padano 5: Atti del XIII Convegno
internazionale sulla musica italiana nel secoli XVII-XVIII.  Como: A.M.I.S. Como, 2008, 9-100.

“Introduzione ai salmi di Cossoni,” in Carlo Donato Cossoni nella Milano spagnola.  Lucca:
Libreria Musicale Italiana, 2007, 167-210.

“The Mantuan Sacred Music,” in Monteverdi, ed. John Whenham and Richard Wistreich.
Cambridge, Cambridge University Press, 2007, 141-54.

“Laetatus sum (1610),” in Monteverdi, ed. John Whenham and Richard WistreichCambridge, Cambridge University Press, 2007, 155-61.

“Information and Lessons from the Iconography of Venetian Processions and Ceremonies,” Music in Art 32, nos. 1-2 (Spring-Fall 2007), 113-32.

“Questioni di chiavi, toni ecclesiastici e altezza del suono dei Magnificat del Palestrina,” in Palestrina e l’Europa: Atti del III Convegno Internazionale di Studi.  Palestrina: Fondazione Giovanni Pierluigi da Palestrina, 2006, 315-27.

“Music for Compline Published in Italy, 1555-1700: A Survey of the Repertoire,” in Barocco
Padano 4: Atti del XII Convegno internazionale sulla musica italiana nel secoli XVII-XVIII.  Como: A.M.I.S., 2006, 59-116.

“Published Italian Music for Vespers: A Survey of the Repertoire, 1651-1725, in Barocco padano 3: Atti del XI Convegno internazionale sulla musica sacra nei secoli XVII-XVIII, Brescia, 16-18 luglio 2001. Como: A.M.I.S., 2004, 35-79.

“Deconstructing Gender in Monteverdi’s L’Orfeo,” Journal of Seventeenth-Century Music 9/1, 2003.

Trombe, Trombe d’argento, Trombe squarciate, Tromboni, and Pifferi in Venetian Processions and Ceremonies of the Sixteenth and Seventeenth Centuries,” The Journal of Seventeenth-Century Music 8/1 (2002). With Linda Maria Koldau.

“Palestrina’s Magnificats: A Brief Survey,” in Encomium Musicae-A Festschrift in Honor of Robert J. Snow.  Stuyvesant, New York: Pendragon Press, 2002, 637-61.

“Il Vespro della Beata Vergine di Claudio Monteverdi ed il repertorio italiano dei vespri  dal 1610 al 1650: un quadro riassuntivo,” in Barocco padano 2: Atti del X Convegno internazionale sulla musica sacra nei secoli XVII-XVIII, Como, 16-18 luglio 1999.  Como: A.M.I.S., 2002, 7-39.

“‘Per fare il vespro meno tedioso: Don Pietro Maria Marsolo and the ‘Antiphon Problem’,” in Essays on Music and Culture in Honor of Herbert Kellman, ed.Barbara Haggh.  Paris: Minerve, 2001, 411-21.

“Monteverdi’s Sacred Music: The State of Research,” in Claudio Monteverdi: Studi e Prospettive, ed. Paola Besutti, Teresa M. Gialdroni, Rodolfo Baroncini.  Firenze: Olschki, 1998, 3-29.

“A Jungian Perspective on Monteverdi’s Late Madrigals,” in Relazioni musicali tra Italia e Germania nell’età barocca: Atti del VI Convegno internazionale sulla musica italiana nei secoli  XVII-XVIII.  A.M.I.S., Como, 1997, 121-36.

“Intrusioni del caos nell’Orfeo di Monteverdi,” in Il melodramma italiano in Italia e in Germania nell’età barocca: Atti del V Convegno internazionale sulla musica in area lombardo-padana del secolo XVII.  Como: A.M.I.S., 1995, 179-204.

“Tones, Modes, Clefs and Pitch in Roman Magnificats of the 16th Century,” Early Music, 22 (November 1994), 641-64.  Revised version in Studies in Sixteenth- and Seventeenth-Century Italian Sacred Music. Ashgate Publishing, 2014.

“Monteverdi’s Changing Aesthetics: A Semiotic Perspective,” in Festa Musicologica, Essays in Honor of George Buelow.  Stuyvesant: Pendragon Press, 1994, 233-55.

“Monteverdi’s ‘Mass of Thanksgiving’ Revisited,” Early Music, 22,February 1994, 63-84.

“Monteverdi and Early Baroque Aesthetics: The View from Foucault,” in Il madrigale oltre il madrigale: Atti del IV Convegno internazionale sulla musica in area lombardo-padana del secolo XVII.  Como: A.M.I.S., 1994, 107-19.

“Why Would Monteverdi Publish a Vespers in 1610?  Lifting the Shadows on the Development of a Repertoire,” in De Music et Cantu, Helmut Hucke zum 60. Geburtstag.  Hildesheim: Olms, 1993, 419-55.

“A Taxonomic and Affective Analysis of Monteverdi’s Hor che’l ciel e la terra,” Music Analysis 12/2 (July 1993), 169-95.

“What Makes Claudio ‘Divine’?  Criteria for Analysis of Monteverdi’s Large-scale Concertato  Style,” in Seicento inesplorato: Atti del III convegno internazionale sulla musica in area lombardo-padana del secolo XVII.  Como: A.M.I.S., 1993, 257-302.

“An Early Seventeenth-Century Manuscript of Canzonette e Madrigaletti spirituali,Studi musicali VIII (1979), 149-71.

“Giovanni Francesco Capello, an Avant-Gardist of the Early Seventeenth Century,”Musica Disciplina XXXI (1977), 155-82.

“Some Historical Perspectives on the Monteverdi Vespers,” Analecta Musicologica XV (1975), 29-86.

 

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