Society for Seventeenth-Century Music - Dedicated to the study and performance of 17th-Century music.

Society for Seventeenth-Century Music

Anne Schnoebelen – Selected Bibliography

Dissertation
“The Concerted Mass at San Petronio in Bologna ca. 1660-1730: A documentary and analytical study.” Ph.D., University of Illinois, 1966.

Catalogues
A Catalogue of Mass, Office and Holy Week Music Published in Italy, 1516-1770, together with Jeffrey Kurtzman. Journal of Seventeenth-Century Music Instrumenta, vol. 2.  http://sscm-jscm.org/instrumenta/instrumenta-volumes/instrumenta-volume-2/

Padre Martini’s Collection of Letters in the Civico Museo Bibliografico Musicale. An Annotated Index. New York: Pendragon Press, 1979.

Musical Editions
Seventeenth-Century Italian Sacred Music. Anne Schnoebelen, General Editor, 20 vols. New York: Garland Publishing, Inc., 1995–2003. Vols 1-10: Masses (1995–1999), Anne Schnoebelen, ed.

Giovanni Paolo Colonna, Messa a nove voci concertata con stromenti. Recent Researches in Music of the Baroque Era, 17. Madison: A-R Editions, 1975.

Facsimile Editions
Solo Motets from the Seventeenth Century. Selected and Introduced by Anne Schnoebelen. 10 vols. New York: Garland Publishing, 1987-1989.

Cantatas by Maurizio Cazzati c. 1620-1677. Selected and Introduced by Anne Schnoebelen. The Italian Cantata in the Seventeenth Century, 8. New York: Garland Publishing, 1985.

Martini, Giovanni Battista, Catalogo degli aggregati della Accademia filarmonica di Bologna. Bologna: Accademica Filarmonica, 1973. Introduction by Anne Schnoebelen.

Articles
“Le messe bolognesi di Carlo Donato Cossoni.” In Carlo Donato Cossoni nella Milano spagnola, D. Daolmi, ed. Lucca, LIM 2007, pp. 211-243.

“Printed Italian Masses Available to North Italian Cappelle musicali in the 17th Century.” In La musica sacra in area lombardo-padano in etá barocco. Contributi musicologici del Centro Ricerche dell’ A.M.I.S. Como, vol. 13 (2002), 15-25.

“A Bibliophilic Friendship: The Martini-Chiti Correspondence, 1745-1759,” in “Musical offerings to Alexander L. Ringer from His Students.” Unpublished typescript, 1991.

“Bologna, 1580-1700.” In The Early Baroque, C. Price, ed. Music and Society, vol. 3. London: Macmillan, 1993.

“The Role of the Violin in the Resurgence of the Mass in the 17th Century.” Early Music 18/4 (1990): 537-544.

Articles (34) on Bolognese composers and music publishers in The New Grove Dictionary of Music and Musicians. London: Macmillan Press, 1980; revisions in the 2nd edition (2001) and The New Grove Dictionary of Music Online.

“The Growth of Padre Martini’s Library as Reflected in his Correspondence.” Music and Letters 57/4 (1977): 379-397.

“Padre Martini’s Collection of Letters: an overview.” Current Musicology 19 (1975): 81.

“Cazzati vs. Bologna.” Musical Quarterly 57/1 (1971): 26-39.

“Performance Practices at San Petronio in the Baroque.” Acta Musicologica 41/1-2 (1969): 37-55.

–Compiled by Jennifer Williams Brown
for the SSCM Nominating Committee

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